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Watch A History of Violence Movie Online.
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Director David Cronenberg’s movies glisten with a surface sheen that is always perfect. His mise en scene is often pathologically devoid of human connection or touch, though his films are always notion provoking and often heinous in their win of the detritus of our lives. Is there any more graceful movie than “Plain Ringers? ” Any movie as tainted, off-putting yet compelling as “Break? ” (the version with Rosanna Arquette and Holly Hunter) .
In his terrific current film, “A History of Violence” Cronenberg has it both ways: his film features a straight forward location that he handles with honest a shrimp out-of-kilter quality that adds crunch and bite to the memoir of a man, Tom Stall (the quintessential strong quiet, Gary Cooper-type, Viggo Mortensen) who, when placed in a dwelling that requires swift and brutal force…vomits out the internal fortitude valuable from deep inside his psyche and bowels to reach up with the goods to deal with the state. “AHOV” then, is about violence, brutality and the far reaching and ever telescoping tentacles that both indicate as they wreak havoc on Tom, his wife Edie (the sparkling Maria Bello) and his family and friends.
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Cronenberg is dealing with some lofty and controversial ideas here: Demolish someone and forever pay the imprint for that kill, whether or not the crime is justified or not. Commit violence and that violence colors everything that you are, everything that you do for the rest of your life. Once you purchase someone’s life how worthy of you, the essence, the soul, the heart of you is gone also?
Viggo Mortensen’s Tom Stall is strong of mind and morals, tender, vulnerable, upstanding but ultimately conflicted. Mortensen turns in a dusky performance that not only shows up Tom’s soft side but also his malevolent one as well. Maria Bello, usually miss-used in her previous films is a revelation here as Edie: sparkling, accomplished, dedicated and hopelessly in admire with Tom but aware that many times being in savor doesn’t mean you know everything about the object of that treasure.
“A History of Violence” is Cronenberg’s “Vertigo”: his version of obsession, violence and retribution told the Cronenbergian way: slanted toward the perverse…bordering on the maniacal. Don’t blame Cronenberg because he is not Hitchcock, for he has learned his lessons from the master well. Blame him because he has near up with a film that is enthralling and multi-layered though: one as transparent as a silk hide, unprejudiced slightly out of near…beckoning us in for a closer, scalpel-like investigation of what makes us tick, the buttons to punch to perform us react and the mechanics primary to allow us to exist.
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David Cronenberg always does films that tend to behold at human nature in a different way: sexuality in Wreck and changes in personality in the Flee. With this film, he gets into what makes people violent and how far it can go, particularly when it comes to saving family members and loved ones. It’s a nice exploration but as a film it really left me frosty, with highlights being 2 sex scenes and a couple shots of sizable violence.
Tom Stall is a family man with 2 kids leaving in a diminutive town. He runs a local diner which one night attracts some criminal attention, which Tom ends up disposing of rather cleanly. It attracts some more attention, this time from local news and including a weird guy with an even stranger see and tells him that Tom had a grand different life than he does now.
While David Lynch likes to get really peculiar surrealist films, David Cronenberg likes to do films that capture a contemplate at transformation and ways people react to things. These 2 will always create engaging movies but I kind of lean towards Cronenberg ones, even though I don’t really peep many of them. To me it’s a misstep though as the film after it ended didn’t really last with me on any level.
Casting is quite solid across the board, including William Afflict, who finally puts in some menace into his “woke up too early” whine. Viggo is always vast although he does have this tendency to jabber sometimes and Maria Bello is always qualified. Ed Harris is effective as a villain, with a very uneasy feeling you win whenever he’s around.
As for the violence in the film, it’s not incredibly violent. There’s a couple of shots that are cringe-inducing such as what happens when you punch someone in the nose a bit too great but it’s actually not as violent as you would consider. The 2 sex scenes are not that graphic but it’s definately not candlelight and blowing curtains, you don’t really scrutinize distinguished during them but using your imagination they’ll glean graphic.
After the film was over I remember thinking “what was the point of this one? “. Unlike the Waft which was involving or Shatter which was incredibly erotic in the strangest sense, this doesn’t have any kick to it. It’s worth a rental but I wouldn’t win it unless it was a gift from someone.
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